Every Poet Needs A Patio

Tech success! More poetry, please!

January 19, 2010 · Leave a Comment

A good night’s sleep made all the difference. I solved the encoding puzzle and immediately was able to compile my virtual comps notes. As long as I don’t publish my copied files to the world (or department) at large, I am well within fair use. Now, I can start toting around all my files and reading them in order to write some of my own. I’ve already saved every last tree on the planet.

While I was at it, I thought I’d update my version of EndNote (a dear friend since 1998) and suck down all those juicy journal articles. Well, I tried to follow the directions for the new install, but this version (X3) doesn’t seem to want to let me connect to GSU directly. I can get 99% of what I need using the Top 100 connections, but sometimes I need to see what physical copies GSU has on campus. I tried addng the connection file manually. No luck. Just now, I found the master list of connection files on EndNote’s website. Ahhhh.

Too tired to list every nitpicky task I did today. Mainly I reorganized and cleaned up all my Desktop files to reflect my evolving status as almost-colleague as opposed to grad student. It’s all becoming a little more real to me now. Better systems for getting things done and staying organized mean better work and better results–even for artists. Especially for artists. I’m reminded of Kevin Achity’s The Editor, that personified force of the left brain which either works for you if you give it a task or destroys you if it’s bored.

As I have to go to my crazy hard Spanish grammar class in the morning, that’s all I can get into right now. I promise more poetic, less tech-geeky entries shortly.

→ Leave a CommentCategories: Mad World · Reading · Robin Kemp · Teaching · Tech Toys · Teh Internetz · Writing · creative writing · graduate school · poetry

It Ain’t Bootleggin’. It’s Research.

January 19, 2010 · Leave a Comment

In between helping to rewrite a relative’s resumé and setting out our frostbitten plants to get actual sunshine for the first time in nearly a month, I spent today:

  • teaching myself how to produce usable mobile digital content
  • tracking down and, ahem, collecting said content (i.e., some of the major poems I need to know inside and out) under legitimate fair use terms
  • making lists of information I need to collect for a fellowship application
  • downloading a sample chapter of Jess Walter’s Financial Lives of the Poets, which cracks me up because it’s really all about my insane life (and which I haven’t had the cash to buy for over a month, but am about to)
  • running across and complaining about some bookseller who thinks my unsigned, six-month-old book of poetry is worth $60 on eBay (of which $60 I would see exactly $0)
  • finding the right software for the job
  • editing and attempting to compile my preliminary notes as an e-book

It’s now almost 3 a.m. I’m still trying to get the project files to compile, but I’m working out the bugs and I just installed, edited, and tried to compile the output within the past hour or less.

The process itself isn’t rocket science. I just have to figure out the last little bit. Then I can have all the fun in the world applying my webmonkey/newsgathering skills to the in-depth analysis and study of canonical poetry in English. As a nice bonus, I’ll have acquired a genuinely marketable skill. Not bad for a day’s work.

I also knocked off a Brainbench certificate in web design by taking the exam. Another 17 minutes wasted. In a day or two, though, I should be able to create a customized, portable, accessible, digital study guide for my doctoral exams. That, in the long run, will maximize my study time in ways that dragging around a 3″ thick vinyl binder can’t.

The whole purpose of the game is not to spend all one’s time doing techie stuff, but to do the techie stuff only to the extent that it frees one to study the poetry. For me, electronic flashcards and text-chunking are godsends for memorization and review. I’ve always used flashcards, but I find the digital versions with the Leitner boxes far more effective for some reason–maybe because I can go as fast or as slow as my brain lets me at any given moment, or because I can get finer gradations of Leitner-ing, or because the eye candy tastes better. What’s more, I can put entire poems, my own notes, various permutations and combinations of background scholarship, etc. into the same easy-to-read format.

I’m panicking a lot less because I can get control of both the paperwork and the conceptual organization in a much more streamlined fashion. Databases, for me, are the intellectual equivalent of stacking boxes full of crap that I know I need but that I can’t see into, access, or sort in any meaningful, useful way. Rather than stand amidst the piles of data in my own head, wringing my psychic hands, I’m setting up a system that will free me to be creative and to make sense of the past twenty-something years of reading and writing.

If anything, the key to graduate school (and especially a doctoral program) is mastering the art of time management. In my case, it’s mission-critical. I’m fortunate in that I’ve been able to adapt (the clinical term is “high-functioning”), yet I’m astounded at how many grad students out there don’t know that they have to set their own schedules or break down the latest overwhelm into small, doable chunks.

Now I need to soak my eyeballs in a glass of cold water–and bid you goodnight.

→ Leave a CommentCategories: Mad World · People to People · Reading · Robin Kemp · Teaching · Tech Toys · Teh Internetz · Writing · creative writing · graduate school

Techie-licious Poetry Studies

January 17, 2010 · Leave a Comment

Woo woo, I finished my Ph.D. coursework.

Now I begin my Ph.D. work-work. And I do mean WORK.

Yes, you have to do a lot to earn a decent studio/academic MFA in creative writing. Been there, done that. I’m here to tell you that you have to do exponentially more to earn a Ph.D.–and I promise to do so in painful detail.

I spent the first week of classes cheerfully relaxed because I no longer am teaching six hours and taking nine real hours of the 18-24 hours on paper each semester. I did useful things like attend Advanced Spanish Grammar and Advanced Spanish Conversation, courses that I in no way am required to take; I organized my class rollbook, flashcards, and other geeky goodies on my new iPod Touch; and I gave a poetry reading on a dark and stormy night.

Today, reality set in. Oh f me. Do I really have time to finish all this before comps in October?!…

From the minute I got out of bed to the present, I have glued my rump to the chair. I say that because I can no longer feel my rump. Periodically, I wave my legs around like a bug or get up and wander through the house, hoping to stave off deep vein thrombosis. My mission: to organize my notes and research so that I can study them more efficiently. In other words, I’ve been doing monkeywork, amateur tech, and logistics for three days running. Looks like more of the same tomorrow, with as much actual reading as I can sneak in between now and Wednesday.

So far today, I have…

  • installed Stanza on my MacBook and my iPod Touch (in order to study hundreds of poems and thousands of pages of obscure text on the go)
  • combed Project Gutenberg for as many public-domain poetry collections and critical works as possible which relate to the doctoral poetry comps reading list
  • installed one of the 160+ downloaded titles (Biographia Literaria by Coleridge) and read/annotated exactly 8% of it)
  • discovered that I can’t export my annotations to, say, my comps notes, and written a request on Stanza’s web board for a fix on their next upgrade
  • screeched around the steep learning curve for .epub markup declarations in the vain hope of creating my comps notes in said format
  • created several spreadsheets breaking down the comps info by all various permutations and combinations
  • entered starter data into said spreadsheets
  • searched out online capsule bios and cut/pasted them chronologically into .txt files for later study
  • picked up cat-shit (thanks, cat)
  • ate dinner in a state of pureed brain collapse while watching a Discovery Channel documentary on weird fauna of the Pacific Islands
  • hunted down, ordered copies of, and began copying into .txt files the tables of contents of two books also required “as a starting point” on the comps reading list
  • Accounted for my time, here, with you, Gentle Reader
  • Watched my sweetheart go to bed
  • Reawaken the carpal tunnel I developed 20 years ago
  • And now, I am going to see whether I can convert the database of poetic terms I started at the beginning of my program into my new flashcard format. Back when I started, I had to make my unwieldy flashcards into a Keynote slideshow. The technology has improved considerably since then.

    Oh, and I do need to upload and log eight more CDs of recorded poetry that unfortunately share the same filenames across discs: “Track 1″, “Track 2″… ugh.

    All those who responded cagily to my requests for their comp notes: Bite me. Code your own. Friends who follow in my footsteps: I will be delighted to share my work with you if you think it will help. (Of course, you’ll still need to tweak it for your own purposes.)

    Light. End of tunnel. Woo woooooooooo…

→ Leave a CommentCategories: Mad World · Reading · Robin Kemp · Teh Internetz · Writing · creative writing · graduate school

Taking the Pledge: Restoring Sanity to Social Media

December 8, 2009 · 1 Comment

Well, faithful readers, it’s official. I am swearing off Facebook.

I’ve put everyone on notice–at least anyone left who hasn’t blocked my hyperkinetic updates by now–that I am to be found on this blog. Degrees of real-life closeness shall merit various tiers of e-mail and postal address access.

Here’s why.

1. I have wasted entirely too much time chit-chatting about, mostly, nothing.

2. I am getting a reputation as a full-bore Facebook crank.

3. I am about to begin studying for my doctoral exams.

4. Boundaries.

5. Lots of really unflattering photos of myself.

6. Why put all that energy into writing blips and bleeps when I can write something more substantive here and maybe shape a book out of it later?

7. Creepy guys from high school. (Not you. If I friended you, I definitely don’t think you’re a creep.)

8. It’s rude to talk about parties in front of people who weren’t invited.

9. Students’ various states of undress.

10. Alienating friends, colleagues, and potential employers en masse by single-handedly posting more updates than the WIRES-CNN desk.

I am glad that I made some people laugh. I’m very glad to be in touch with so many old and new friends. But I’m so drained. So I’m taking down what I want to keep, and then leaving. For good. Seriously.

Here is where my website proper lives:
robinkemp.net

Here are some other places online where I occasionally spend limited, sane, even productive time:

RedRoom
SheWrites
formalista.com
academia.edu
eratosphere.com

And, of course, gsu.edu via uLearn, CompClass, etc.

When all is said and done, I want to write books, not status updates. Guess how that gets done.

So, dear old friends, please send me a regular analog Christmas card this year and I’ll do likewise. Write me a letter and include an actual printed photo. Call me up and make a coffee date IRL. I need the real thing and not some semblance thereof.

→ 1 CommentCategories: Mad World · People to People · Reading · Robin Kemp · Teh Internetz · Writing · creative writing · graduate school

This Pagan Heaven nominated for Pushcart Prize

November 21, 2009 · Leave a Comment

Pecan Grove Press has nominated This Pagan Heaven (or some poem or poems from it) for the Pushcart Prize. Not sure which one(s) yet. Thank you, Palmer Hall. Other old friends Helen Frost and Nick Carbó, as well as Marian Haddad, Phoebe Reeves, and Francine Witte are also PGP Pushcart nominees.

Palmer is a tireless worker for poetry. Because Pecan Grove Press consistently places well-written poetry over rock-star name recognition, like so many of the small presses in this country, it does more than support the art–it tends poetry that grows and thrives. Here’s PGP’s list.

→ Leave a CommentCategories: Reading · Robin Kemp · This Pagan Heaven · Writing · creative writing
Tagged: , , , , , , , ,

OUTRAGEOUS: Police abuse of poet-professors of color

September 18, 2009 · 2 Comments

UPDATE: The prof is lawyering up. Here’s the latest from Jennifer–didn’t want to bury the lead.

Palmer-

He was released after the night watchman from the university positively IDed him. The police never asked Armando for his ID (not giving him a chance by thrusting a gun in his face and ordering him to the floor), nor did they give him any explanation for their actions. Supposedly they were responding to a report of a break in. Armando is very upset about the incident and unfortunately had to leave for Spain today. He will be back on the 27th and is working with a lawyer.

Armando had just read in Juárez, I was concerned for his safety
there…never did I imagine that this could happen in a U.S. Institution
here.

Thanks for your support!

jen

* * *

First, I’d like to pass along an e-mail forwarded from my publisher and friend, Palmer Hall:

My friends,

Juan Armando Rojas Joo, whose book (Rio Vertebral/Vertebral River) was
published late last year by Pecan Grove Press
was recently removed at
gunpoint from his office by university police at Ohio Wesleyan University.
Juan Armando was arrested, essentially, for being Latino and working late in
his office. No charges were brought against him. Jennifer Rathbun, who
translated Juan Armando’s work for us forwarded this letter to me.

When I hear more from Jennifer or from Juan Armando, I’ll write again. I
suspect letters to Ohio Wesleyan’s president (I’ll get the address) about
the outrageous actions of the university’s police will be asked for.

Thanks for listening,
Palmer

*Juan Armando’s letter:*

Dear colleagues,

I just came back from an international poetry festival in Ciudad Juarez,
Mexico, where no more than forty invited poets from all over the world,
including Ledo Ivo (Brasil), Claudine Helft (France), Torgeir Rebolledo
Peddersson (Norway), Juan Gelman (Argentina), were convocated to read
from their own work as well as to denounce violence. I was among
one of the invited poets, representing Mexico and Ohio Wesleyan
University?

Last night, at midnight, I was working in my office, UN 201 [Juan
Armando Rojas] like I have been doing many nights for the past five
years (many professors at OWU do). I was working, among other academic
issues, on my self report, when I perceived the door knob of my office
moving, I also heard a dog bark and a few seconds latter I heard voices.
Would you like to know my first reaction? I was, of course scared, also
confused, and immediately I said “give me a second, I’ll be there”. When
I opened the door, thinking that it was probably the janitor, maybe a
security officer, maybe even Helmut or Conrad (both of them love/ed
working late at night as well at UN) and for my surprise the first thing
I saw was the gun of a police officer pointing directly at my face.
(Five police officers, one gun twelve inches away, I’m “Ordered” to go
to the floor and I get handcuffed)

Currently I will not go into details but I will ask you if this is part
of our academic freedom and the pursuit of knowledge and professional
passions, or is this the new and efficient way of approaching people at
OWU? Is this how OWU approaches diversity and multiculturalism? Is this
how OWU treats the few members of an international faculty? Did I brake
a curfew and I was not aware? Is this really how OWU wants to approach
its dedicated faculty who stay up long night preparing classes,
preparing publications and research, grading papers and organizing
student activities? Maybe not all of you are aware that on May I was the
recipient of The Bishop Francis Emner Kearns Award for faithful witness
to the ethical, spiritual and missional values of Ohio Wesleyan
University as delineated in the University’s Charter and Statement of
Aims (Juan Armando Rojas, Ph.D., who also serves as assistant professor
of modern foreign languages and director of OWU’s study abroad program
in Salamanca, Spain). I hope that you, dear faculty, are concerned and
will raise your voice in the denouncement of this violent act.

Thank you very much,

Juan Armando Rojas Joo

Jennifer Rathbun, Ph.D.
Assistant Professor of Foreign Languages
212 Bixler Hall
Ashland University
(419)289-5121

[I thought I would add one of Juan Armando's poems (as translated by
Jennifer]):

NOTE: The subject of this poem, or the occasion, is perhaps more obvious tothose of us who live near the border with Mexico than it might be to
others. For too many years now, women in Juarez, Mexico, across the river
from El Paso, have been disappeared, murdered and raped. The government of Mexico has done little about the tragedy, Juan Armando is from Juarez and has been described as THE poet of the northern Mexico desert lands.

Repercussions of a City Named Juárez
To those broken women

Dirt storms of a white dust that transpires
filth
whiteness of a society
rhythms that inject themselves into the bricks

City lost amongst its houses
so alone so entirely alone
so far from Jerusalem
due to the earth’s circumference

Let us pray for the city that bleeds
for the woman that waits for a job in the maquila
let us tear out the cables and chew
the almond sulfur of the cars

We will arrive trembling
today the job ended at the factory
there are three pair of eyes that observe me
they are hungry

We pray for the migration of the wetbacks
upon realizing that we find ourselves alone
between the mercury stains on the mirror
the memory of the bridge vanishes

Let us talk about this city to our children
that does not appear on the map
let us crucify the arms of this sky
with more right than the neighbor

Let us look for the missing
between the waters
and its dunes
where there will always be abundant trash

Let us look for the raped
in the geographical construction of our homes
between the bland dunes and its fresh sand
and the calcium of its bones

Let us talk about the heartbeats of the bridge
of the little oxygen that you breathe
in the minute and a half of silence
that the bridge deserves every night

We make a circle and we cross
our hands praying for alcohol and polygamy
we scratch the asphalt’s burning ice
this battle in the desert

The shadows of the lynched
pray for us!
for the fragility and the high price of subsidized housing
listen to us!

For the second that separates one millennium from another
we remember the border line
the box car in which the wet backs die
the custom of silence
where the río bravo ends
where the río grande begins

We initiate the prayer
to reach the kingdom of the flies
for the dreams
of the dreams
of the days
now and forever
———————————————————-

As if this were not outrageous enough, so is the news of poet-professor Ravi Shankar’s false arrest in July:

http://www.npr.org/templates/transcript/transcript.php?storyId=112056039

Shankar, a U.S.-born citizen of Indian descent, told NPR that the arresting officer called him a “sand nigger.” Shankar’s alleged crime? Driving while brown.

→ 2 CommentsCategories: Mad World · Politics · Writing · creative writing
Tagged: , , , , , , , , , , ,

This Pagan Heaven: Updates and Remembrance on K+4

August 27, 2009 · Leave a Comment

Atlanta InTown calls This Pagan Heaven a “debut book not to miss”:

This Pagan Heaven: Poems by Robin Kemp ($8, Pecan Grove Press) New Orleans native and Georgia State professor Robin Kemp’s debut collection of poetry features haunting and lyrical work about her hometown pre- and post-Katrina. DBF Appearance: Saturday, 11:15 a.m. at Java Monkey Coffee House.

* * *
Check http://robinkemp.net for the latest scheduled readings/events! I’ll be hitting the universities this spring…several invitations accepted, but dates are still mushy pending everyone’s spring skeds.

* * *
I’ll be recording an interview and reading from the book for WRAS’ “Melodically Challenged,” a poetry show ably run by poet K.B. Kincer. WRAS 88.5 is the voice of Georgia State. I’ll pass along the air date soon.

* * *
Also, if you’ve ordered This Pagan Heaven via PayPal and not received it, please let me know and let Louie at Pecan Grove Press know. The problem is PayPal’s and we will make it right.

Thanks for your kind messages, snail-mails, and Facebook posts! Spread the word about This Pagan Heaven!

* * *
joanofarc-neworleansAbove all, remember the people we lost four years ago today. I leave you with these lines from “Stepping Out of the Car, After Not Recognizing an Old Friend’s House”:

. . . where, once, the sidewalks buzzed with working folks,
kids looping on their bikes beneath the sun
in unforgiving heat that swells the brain

and funks the underarms as sweat cascades
from bus-stop waiters on Elysian Fields,
this pagan heaven where we used to dance. . . “

My city is healing. But it is still in chronic pain.

Thanks,
Robin

→ Leave a CommentCategories: 2008 Election · Mad World · New Orleans · People to People · Politics · Robin Kemp · This Pagan Heaven · Writing · creative writing
Tagged: , , , , ,

That’s Dr. Bitch To You: WILA Conference Proposal

August 13, 2009 · 1 Comment

Cross-posted from the WILA group page on Facebook. Have at it!

I don’t know anything about AWP’s panel selection process, but I have been surprised in recent years by the vocal (and I believe misguided) anti-AWP sentiment. I’m ignorant of the inside politics, but suspect the selection process has less to do with conscious gender discrimination than it does with trying to address the very vocal (white) men who complain about how AWP represents “the man.”

AWP has been the single most helpful resource for me as a professional writer (aside from West Chester, admittedly aimed at a much narrower specialty audience). At AWP, I’ve made lifelong friends and helpful connections, heard some of the greatest readers around (Lucille Clifton, for example), and learned tons of practical information that puts food on my table and a roof over my head.

I’ve also been surprised by how some people who never miss an opportunity to bash so-called “academic poets” (which they define as any poet who has ever been paid to teach anything at a college or university) pay to attend the conference they demonize–and get slots for relatively weak panels at the expense of clearly more substantive lineups and topics.

In a culture that privileges blowhards, it may be instructive to recall Deborah Tannen’s work. Stridency and volume, particularly when delivered in a basso profundo tone, too often gets a free pass. I would hope that a women’s writing conference would address communication issues between genders. Unfortunately, these matters–both inside and outside the academy–have never been resolved. I find it no surprise that the voices calling for revolution against “academic poetry,” which only in recent years has admitted significant numbers of women, are overwhelmingly male and often comfortably tenured.

I also find it extremely disturbing that women bash “the academy” and thus, by extension, real women like me who have worked our butts off and made enormous personal and economic sacrifices in order to hone our craft and exercise the human right to improve our minds. Such efforts deserve praise and support, not discounting from those who have chosen different paths. If higher education is your dream, but you can’t figure out how to make it work, then talk to some of us who have been there. We would love to share our stories. Now there’s a panel proposal. Who’s game?

Another SRO panel would be “That’s Dr. Bitch to You: Historical Stereotypes of Intelligent Women.” Invited panelists include blogger BitchPhD, Ms. Mentor, and Rita Mae Brown. Fire-eating performance poetry by Jessica “DangerDyke” Hand, blue-stocking fashion show, and free-trade organic herbal tea to follow in the atrium.

I hope that our conference would not perpetuate false divides between so-called “academic” and “street” poets, the zombie legacy of some of American poetry’s worst macho territorial posturing.

–Robin

http://robinkemp.net

Oh, one more thing: Three-digit-per-night hotels are prohibitively expensive for many women writers (myself included). How and where will we be able to make attendance affordable to as many people as possible, short of pitching tents (not always an option for everyone)?

(N.B. Here’s another take from Susan Schultz over at Tinfish Press. Whatever the reason, many of “the ladies” are not pleased with AWP of late.)

→ 1 CommentCategories: Reading · Teaching · This Pagan Heaven · Writing · creative writing · graduate school

This is my day.

July 16, 2009 · 6 Comments

bookarrivesToday is the day I’ve waited for all my life. My personal copies of This Pagan Heaven were on the doorstep this morning. And there was much rejoicing.

I’ve published so many things over the past, what?–25 years?–that I can’t even count them all. Just in the poetry universe, even with my very late start in the 90s, I’ve worked my way up slowly, the way most folks do: college litmags, regular litmags, a self-published chapbook, a few small-press anthologies. But I never anticipated how it would feel to hold my own book, from a real publisher, in my hands, at the ripe old age of 45.

Happy. Full of light. Hands trembling with excitement.

And then the requisite hugs and kisses and signings to family and Chinese food and celebratory wine tipsiness and the congratulations from friends near and far and the pictures and the grinning from ear to ear.

I know the real work comes now, the selling, the reading, the webpage-tweaking, the traveling in between the usual dirty socks and paper-grading.

But today, I am an author. I am a “real” poet. And I am happy beyond measure.

Gentle reader, I wish for you this much joy.

→ 6 CommentsCategories: Mad World · New Orleans · People to People · Reading · Robin Kemp · This Pagan Heaven · Writing · creative writing · graduate school

This Pagan Heaven

July 7, 2009 · Leave a Comment

The book/author page (complete with handy online ordering button!) is live at Pecan Grove Press. I’m overwhelmed by the response thus far–my inbox has been exploding with well-wishes, order confirmations, reading requests, and offers to crash with old friends around the country! I’m really looking forward to seeing so many wonderful folks in the weeks ahead.

The books should be out within a very short timeframe. Assuming all is well with the press run, people should start getting their copies in the next few weeks. Books are headed to reviewers and I’m firming up dates for readings in various cities. There will be a book release party and some readings in Atlanta soon. The big kick-off, though, will be in New Orleans, probably during the first half of August. Other cities include Washington, DC; Asheville, NC; and several other stops that are still coalescing. I’m having to square all this road-tripping around my fall semester, which is tricky–it’s my last semester of doctoral coursework and I’m teaching two classes, so weekend events will be important.

Some additional extracurricular events on my plate in the months ahead:

1) Southern Women Writers Conference at Berry College;
2) Contribution to a big poetry project I’ve been working on for some time;
3) Possible pro bono poet-in-the-schools visit for some kids in New Orleans whose program funding got cut;
4) AWP Denver.

What, me busy?

→ Leave a CommentCategories: Mad World · New Orleans · People to People · Reading · Robin Kemp · Teaching · This Pagan Heaven · Writing · creative writing · graduate school